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    Breaking the Mode - 图书

    导演:Sharon S·Takeda
    All of the tradition-based canons that governed the world of haute couture since the fifties were subverted by the creative genius of stylists who forged the history of today’s fashion. Designers such as Franco Moschino, Christian Lacroix, Alexander McQueen, Vivienne Westwood, and Thierry Mugler went beyond the preciousness of fabrics, the studied geometry, and immobility of fi...(展开全部)
    Breaking the Mode
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    Breaking the Mode - 图书

    导演:Sharon S·Takeda
    All of the tradition-based canons that governed the world of haute couture since the fifties were subverted by the creative genius of stylists who forged the history of today’s fashion. Designers such as Franco Moschino, Christian Lacroix, Alexander McQueen, Vivienne Westwood, and Thierry Mugler went beyond the preciousness of fabrics, the studied geometry, and immobility of fi...(展开全部)
    Breaking the Mode
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    LOVE MODE 7 - 图书

    导演:志水 ゆき
    LOVE MODE 7
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    LOVE MODE 6 - 图书

    导演:志水 ゆき
    LOVE MODE 6
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    LOVE MODE 5 - 图书

    导演:志水 ゆき
    LOVE MODE 5
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    LOVE MODE 3 - 图书

    1997
    导演:志水 ゆき
    LOVE MODE 3
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    Allegory: The Theory of a Symbolic Mode - 图书

    1982
    导演:Angus Fletcher
    安格斯·弗莱彻(Angus John Stewart Fletcher,1930—2016),美国文学理论家、批评家,纽约城市大学莱曼学院特聘教授,研究领域包括英语文学和比较文学。《讽喻》(1964)是其第一部专著,出版后成为20 世纪乃至21世纪文学批评的经典。此外,他还有《心灵的色彩》(Colors of the Mind,1991)、《美国诗歌新论》(A New Theory for American Poetry,2004)、《莎士比亚时代的时间、空间和运动》(Time, Space, and Motion in the Age of Shakespeare,2007)等著作。 李茜,生于重庆,先后毕业于北京大学中文系、慕尼黑大学戏剧系,曾在北京大学比较文学与比较文化研究所从事博士后研究,现任教于南京大学艺术学院。研究领域包括当代剧场与表演、...(展开全部)
    Allegory: The Theory of a Symbolic Mode
    搜索《Allegory: The Theory of a Symbolic Mode》
    图书

    Allegory: The Theory of a Symbolic Mode - 图书

    1982
    导演:Angus Fletcher
    安格斯·弗莱彻(Angus John Stewart Fletcher,1930—2016),美国文学理论家、批评家,纽约城市大学莱曼学院特聘教授,研究领域包括英语文学和比较文学。《讽喻》(1964)是其第一部专著,出版后成为20 世纪乃至21世纪文学批评的经典。此外,他还有《心灵的色彩》(Colors of the Mind,1991)、《美国诗歌新论》(A New Theory for American Poetry,2004)、《莎士比亚时代的时间、空间和运动》(Time, Space, and Motion in the Age of Shakespeare,2007)等著作。 李茜,生于重庆,先后毕业于北京大学中文系、慕尼黑大学戏剧系,曾在北京大学比较文学与比较文化研究所从事博士后研究,现任教于南京大学艺术学院。研究领域包括当代剧场与表演、...(展开全部)
    Allegory: The Theory of a Symbolic Mode
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    On the Mode of Existence of Technical Objects - 图书

    导演:Gilbert Simondon
    Few thinkers have been as influential upon current discussions and theoretical practices in the age of media archaeology, philosophy of technology, and digital humanities as the French thinker Gilbert Simondon. Simondon’s prolific intellectual curiosity led his philosophical and scientific reflections to traverse a variety of areas of research, including philosophy, psychology,...(展开全部)
    On the Mode of Existence of Technical Objects
    搜索《On the Mode of Existence of Technical Objects》
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    On the Mode of Existence of Technical Objects - 图书

    导演:Gilbert Simondon
    Few thinkers have been as influential upon current discussions and theoretical practices in the age of media archaeology, philosophy of technology, and digital humanities as the French thinker Gilbert Simondon. Simondon’s prolific intellectual curiosity led his philosophical and scientific reflections to traverse a variety of areas of research, including philosophy, psychology,...(展开全部)
    On the Mode of Existence of Technical Objects
    搜索《On the Mode of Existence of Technical Objects》
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